11. »þ°¥/¸ðµô¸®¾Æ´Ï/·¹Á¦/Á¶·»½ºÅ°. Chagall/Modigliani/Leger/Jawlensky. | |
2008/05/07 ¿ÀÈÄ 10:42 | ÇÁ¶û½º ¹Ú¹°°ü |
¡ü »þ°¥. Chagall, Marc, National Museum of Modern Art, Paris.
¡ü
»þ°¥. Chagall, Marc, Double Portrait au verre de Vin, 1917, National Museum of
Modern Art, Paris.
¸ðµô¸®¾Æ´Ï, Modigliani,
Amedeo (1884-1920): ÀÌÅ»¸®¾Æ Å»ýÀÇ È°¡·Î 1906³âºÎÅÍ´Â ÆÄ¸®¿¡ Á¤ÂøÇß´Ù. ÁÖ·Î ¿©ÀÚÀÇ ±×¸²À» ÀÚÁÖ
±×¸®°í, ±×¸±¶§ ±æ°Ô ±×¸®¾ú´Ù. Italian painter and sculptor who settled in Paris (1906),
where he concentrated on chiseling heads in stone and painting portraits, mostly
of women, in a characteristic elongated style.
·¹Á¦,
Leger,
Fernand (1881-1955): ÇÁ¶û½ºÀÇ ÀÔüÆÄ Ȱ¡. French painter. One¡¡of the
early cubists; his obsession with machinery led to his being called "the
primitive of the machine age."
Á¶·»½ºÅ°, Alexej
Georgewitsch von Jawlensky (1864?1941): ·¯½Ã¾ÆÀÇ Ç¥ÇöÁÖÀÇ
Ȱ¡·Î µ¶ÀÏ¿¡¼ Ȱ¾àÇÔ.
He was a Russian expressionist painter active in Germany. He was a member of the
New Munich Artist's Association, the Blue Rider group.
¡ü Á¶·»½ºÅ°: ÇÑ ¿©ÀÎÀÇ ¸Ó¸® (¸Ó¸®ÅÐÀÌ ¹ì ¸ð¾çÀÎ ¸ÞµÎ»ç). A. Jawlensky: Head of a Woman ("Medusa"), 1923, Museum of Fine Arts, Lyon, France.
12. ¸¶Æ¼½º/·ç¿À/ÇÇÄ«¼Ò. Matisse, Rouault, Picasso. | |
2008/05/07 ¿ÀÈÄ 11:48 | ÇÁ¶û½º ¹Ú¹°°ü. |
¸¶Æ¼½º,
Matisse, Henri (1869-1954): ÇÁ¶û½ºÀÇ È°¡; Æ÷ºñ½¿(Fauvism) ¿îµ¿ÀÇ ´ëÇ¥ÀÚ.
Æ÷ºñ½¿Àº ¼ÒÀ§ '¾ß¼öÆÄ'·Î 20¼¼±â ÃÊÀÇ ÇÁ¶û½º ȸÈÀÇ ÇÑ À¯ÆÄ´Ù. °ÇÑ Ç¥ÇöÁÖÀǸ¦ Ç¥¹æÇÏ¿´´Ù. ¾ß¼öÆÄ¿¡´Â µÚÇÇ, ¸¶Æ¼½º, ·ç¿À
µîÀÌ ¼ÓÇÑ´Ù. French painter and sculpturor. After studying under Gustave Moreau,
he led the artistic group of fauves after 1905, with colorful, strongly
patterned, and often distorted portraits, still lifes, and nudes. He was also
influenced by impressionist, cubist, and Islamic art. Fauvism is an art
movement originated in Paris in 1905 as a revolt against impressionism,
characterized by simplified form and the use of vivid colors. Its members included Dufy, Matisse, and Rouault.
¡ü
¸¶Æ¼½º: Èò ¿ÊÀ» ÀÔ°í ±â´ë¾î ÀÖ´Â ÀþÀº ¿©ÀÎ. Matisse, Henri, Young Woman in White, with Red
Background (Reclining Model, White Dress), 1946, Museum
of Fine Arts, Lyon, France.
¡ü
¸¶Æ¼½º. Matisse, Henri, Le Luxe I, 1907, National Museum of Modern Art,
Paris.
¡ü ¸¶Æ¼½º: ±âŸ¸¦ µé°í ÀÖ´Â ¼Ò³à. Matisse, Girl in Yellow and Blue with Guitar, Art Institute of Chicago(ÇÁ¶û½º ¹Ú¹°°ü ¾Æ´Ô, Not from France
¡ü
·ç¿À: º¹¹ÞÀº ±¤´ë. Georges Rouault, Le Clown Blesse, National Museum of Modern Art,
Paris.
¡ü
·ç¿À: ÇÇ¿¡·Î. Georges Rouault, Pierrot, 1937-8, Museum
of Fine Arts, Lyon, France.
* ÇÇ¿¡·Î: ÇÁ¶û½ºÀÇ ¹«¾ð±Ø¿¡¼ ³ª¿Â´Ù. ÇÇ¿¡·Î´Â º¹ÀåÀ» ÇÑ ¾î¸´±¤´ë;
°¡À幫µµÀÎÀ» ¶æÇÑ´Ù. Pierrot: A stock male character in traditional French pantomime
having a whitened face and floppy white clothing.
ÇÇÄ«¼Ò, Picasso, Pablo
(1881-1973): ½ºÆäÀÎ Å»ýÀÇ ÇÁ¶û½º Ȱ¡, Á¶°¢°¡. ÀÔüÆÄ ¿¹¼ú°¡ÀÌ´Ù. Spanish painter, perhaps the most
prolific and versatile artist of the 20th century. He initiated
Cubism.
*ÀÔüÆÄ: óÀ½¿¡´Â ¼¼ÀÜÀÌ, ÈÄ¿¡´Â ÇÇÄ«¼Ò, ºê¶óÅ©°¡ ÁÖÀåÇß´Ù. Cubism: A movemnt
in painting and sculpture, initiated in Paris in the early 20th century by
Picasso and Braque, that emphasized the structure of objects by combining lines,
planes, and geometrical shapes to represent several viewpoints of an object
simultaneously
Muse: In Greek mythology, any of the 9 daughters of Mnemosyne and Zeus, each of whom presided over a different art or science.
¡ü
ÇÇÄ«¼Ò: ÇØº¯°¡ÀÇ ¿©ÀÎ. Picasso, Pablo, Woman Seated on the Beach, 1937, Museum
of Fine Arts, Lyon, France.
13. ¿¡¸¥½ºÆ®, ÀÌ¿Ü. Ernst, & others. | |
2008/05/08 ¿À Àü 11:21 | ÇÁ¶û½º ¹Ú¹°°ü |
¡ü ¿¡¸¥½ºÆ®: Ű¸Þ¶ó. Max Ernst, chimera, 1928, National Museum of Modern Art, Paris.
* Ű¸Þ¶ó: ±×¸®½º ½ÅÈ¿¡¼ ³ª¿È. »çÀÚÀÇ ¸Ó¸®, ¿°¼ÒÀÇ ¸ö, ¹ì²¿¸®¸¦ °¡Áø ºÒÀ» »Õ´Â ±«¼ö. Chimera (Greek mythology): A fire-breathing she-monster usually represented as a composite of a lion, a goat, and a serpent.
¡ü National Museum of Modern Art, Paris.
¡ü Museum of Fine Arts, Lyon, France.
¡ü
¿ìµå, ¹Ì±¹ÀÇ È°¡: ¹Ì±¹ÀÇ °íµñ¾ç½Ä(?)". Grant Wood, American, 1891-1942, American Gothic,
1930, Art Institute of Chicago (ÇÁ¶û½º ¹Ú¹°°üÀÌ ¾Æ´Ô, Not from France).
* "American
Gothic, ¹Ì±¹ÀÇ °íµñ¾ç½Ä(?)"À̶ó´Â ÀÌ ±×¸²¿¡¼´Â ¹Ì±¹ÀÇ °íµñ¾ç½ÄÀ¸·Î Áö¾îÁø Áý ¾Õ¿¡ ¼ ÀÖ´Â ¾ÆÀÌ¿À¿Í(Iowa)ÁÖÀÇ ³óºÎ¿Í ±×ÀÇ ³ëó³à
µþÀ» ±×¸®°í ÀÖ´Ù. American
Gothic depicts a farmer and his spinster daughter posing before their house,
whose gabled window and tracery, in the American gothic style, inspired the
painting's title. In fact, the models were the painter's sister and their
dentist. Wood was accused of creating in this work a satire on the intolerance
and rigidity that the insular nature of rural life can produce; he denied the
accusation. American Gothic is an image that epitomizes the Puritan ethic and
virtues that he believed dignified the Midwestern character(quoted from the
Museum).
°¨»çÇÕ´Ï´Ù. Thanks.
³¡, The end.