¼º
ÇÁ¶õ½Ã½º ¼±±³¿ø ±³È¸,
San
Francisco de Asis Mission Church, NM:
´º¸ß½ÃÄÚ ÁÖ Å¸¿À½º (Taos)¿¡¼ ¾à 4 ¸¶ÀÏ ³²¼ÂÊ¿¡ ÀÖ´Â (ÁÖ¼Ò: 60
St Francis Plaza, Ranchos de Taos, NM)
¾îµµºñ ¾ç½ÄÀÇ °Ç¹°ÀÌ´Ù. ÀÌ °Ç¹°¿¡¼ º®À» ¶Õ°í ³ª¿Â ³ª¹« ´ëµéº¸(Vigas)¸¦ º¸´Âµ¥ À̴ Ư¼ö ¿ªÇÒÀÌ ÀÖ´Â °ÍÀÌ ¾Æ´Ï°í ´ë°³´Â Àå½Ä¿ëÀÌ´Ù.
1772-1816»çÀÌ¿¡
Áö¾îÁ³°í, ¾ÆÁ÷
ÀÌ Áö¿ªÀÇ ±³È¸·Î ¾²À̰í ÀÖ´Ù. ¸¹Àº À¯¸íÇÑ ±×¸²°ú »çÁøÀÇ ¸ðµ¨·Î, ¿© Ȱ¡ ¿ÀŰÇÁ(Georgia
O'Keeffe)´Â ¿©·¯ ÀåÀÇ ±×¸²À» ±×·È°í,
¾Ö´ã½º (Ansel
Adams)¶ó´Â À¯¸íÇÑ »çÁøÀÛ°¡µµ ÀÌ ±³È¸ÀÇ »çÁøÀ» ÃÔ¿µÇß´Ù.
±³È¸
³»ºÎ¸¦ º¸Áö ¸øÇß´Ù. ¿ÀŰÇÁ(Georgia
O'Keeffe) ¹Ú¹°°ü¿¡ °¬Áö¸¸ À̰÷¿¡¼ »çÁø Âï´Â °ÍÀÌ Çã¶ôµÇÁö ¾Ê¾Ò´Ù.
* Adobe,
¾îµµºñ: ÁøÈë¿¡ ªÀº ¹Ð´ë³ª Ç® µûÀ§¸¦ ¼¯¾î¼ Âï¾î³½ ÈÄ ºµ¿¡
¸»¸° º®µ¹ÀÌ ¾îµµºñ(È뺮µ¹)ÀÌ´Ù.
¶Ç´Â ¾îµµºñ º®µ¹·Î ÁöÀº °Ç¹°(´ã)À» ¶æÇϱ⵵ ÇÑ´Ù. ¹Ì
³²¼ºÎ Áö¿ª»Ó ¾Æ´Ï¶ó ½ºÆäÀÎ, ¼ºÎ ¾ÆÇÁ¸®Ä« µîÁö¿¡¼µµ ¾îµµºñ ¾ç½ÄÀÇ °Ç¹°À» º»´Ù. *
Viga :(¹Ì³²¼ºÎ ½ºÆäÀÎ ½Ä °¡¿ÁÀÇ) Å« ´ëµéº¸. ¹Ì³²¼ºÎÀÇ ¾îµµºñ °ÇÃà¿¡¼ º®À» ¶Õ°í ³ª¿Â ³ª¹« ´ëµéº¸¸¦ º¸´Âµ¥ À̴ Ư¼ö ¿ªÇÒÀÌ ÀÖ´Â
°ÍÀÌ ¾Æ´Ï°í ´ë°³´Â Àå½Ä¿ëÀÌ´Ù.
 ¡ü
±³È¸ »çÁø. The Church.
 ¡ü
±³È¸ÀÇ ¾Õ¸é. Front of the Church.
 ¡ü
±³È¸ÀÇ Ãø¸é: º®À»
¶Õ°í ³ª¿Â ³ª¹« ´ëµéº¸. Wooden beams or Vigas protruding outside.

¡ü
±³È¸ ±Ùó¿¡´Â »óÁ¡, ¹Ì¼ú°ü, ½Ä´ç µîÀÌ ÀÖ´Ù. Surrounding the church are shops, galleries, trading
posts, and restaurants - all housed in old adobe buildings as well.
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San
Francisco de Asis Mission Church is a church built between 1772 and
1816 by Franciscan Fathers and its patron is Saint Francis of Assisi. It is
located on the plaza in Ranchos de Taos, itself a historic district named
Ranchos de Taos Plaza, about four miles southwest of the town of Taos, New
Mexico. This
Church continues to this day to be a place of worship and an integral part of
the community.
It
was the subject of paintings by Georgia O'Keeffe, and photographs by Ansel
Adams and Paul Strand. Georgia O'Keeffe described it as, "one of the most
beautiful buildings left in the United States by the early Spaniards." It was
declared a National Historic Landmark in 1970. It is also designated as a World
Heritage church.
* Adobe: Is a natural building material made from sand, clay, water, and some
kind of fibrous or organic material (sticks, straw, and/or manure), which the
builders shape into bricks using frames and dry in the sun. Adobe buildings are
similar to cob and mudbrick buildings. Adobe structures are extremely durable
and account for some of the oldest existing buildings in the world. In hot
climates, compared with wooden buildings, adobe buildings offer significant
advantages due to their greater thermal mass, but they are known to be
particularly susceptible to earthquake damage.
Buildings
made of sun-dried earth are common in the West Asia, North Africa, West Africa,
South America, southwestern North America, and Spain, East Europe and East
Anglia, particularly Norfolk known as 'clay lump'. Adobe had been in use by
indigenous peoples of the Americas in the Southwestern United States,
Mesoamerica, and the Andean region of South America for several thousand years,
although often substantial amounts of stone are used in the walls of Pueblo
buildings. (Also, the Pueblo people built their adobe structures with handfuls
or basketfuls of adobe, until the Spanish introduced them to the making of
bricks.) Adobe brickmaking was used in Spain already in the Late Bronze Age and
Iron Age, from the eighth century B.C. on. Its wide use can be attributed to its
simplicity of design and make, and the cheapness thereby in creating it. A
distinction is sometimes made between the smaller adobes, which are about the
size of ordinary baked bricks, and the larger adobines, some of which may be one
to two yards (2 m) long. (From Wikipedia).
* Vigas are wooden beams characteristic of older adobe construction in the
southwestern United States of America, and commonly encountered for ornamental
rather than functional purposes in Pueblo Revival Style architecture. They are
significant in the archaeology of the American Southwest, because construction
techniques used by ancestral Puebloan peoples have left both intact vigas in
some structures, and distinctive holes in cliff faces where cliff dwellings were
constructed that have subsequently been lost.
Modern
use of the viga as an ornamental, rather than weight-bearing, feature dates to
construction of public buildings in New Mexico during the 1920s and 1930s. Noted
architect John Gaw Meem incorporated ornamental vigas into many of his designs.
Contemporary construction in Santa Fe, New Mexico, which is controlled by
stringent building codes, typically incorporates ornamental vigas. Older
structures that have been reconstructed (e.g. the Palace of the Governors in
Santa Fe) may contain both functional and ornamental vigas. (From
Wikipedia).